A new chapter begins.

On 16 July, post-punk’er unveils his third post-punk album , a work shaped by experimental minimalism, shadowed atmospheres, and the restless spirit of darkwave. Expanding on the world introduced in Illogical Sounds, this record pushes further into tension, space, and controlled restraint.

Driven by cold basslines, skeletal rhythms, and fractured textures, the album draws from the raw edge of early post-punk and avant-garde minimalism - resulting in something both intimate and distant, melodic yet unsettling.

This release also comes with three exclusive bonus tracks, available to everyone who downloads the album: Dissolution (Ethereal Mix) Pulse (Ian’s Mix) Stone Grinder (Extended Mix)

Visually and sonically, it continues the Dark Downs aesthetic - monochrome tension, fragments of light in deep shadow, and movement through isolation.

The album will be released on 16 July and available on all major streaming platforms.

Stay tuned for previews, singles, and further announcements.

Undesirable ( maxi single) - released in 06.07.2026 continues the darker and more confrontational direction of post-punk’er’s recent material, transforming alienation into something physical, rhythmic and strangely triumphant. Released as a standalone maxi single, the track abandons nostalgic romanticism in favor of fractured identity, social decay and personal defiance, delivered through obsessive basslines, tribal live drums and raw theatrical vocals that feel suspended somewhere between ritual and collapse. Musically, the single draws heavily from the colder and more aggressive side of early 80s gothic post-punk and darkwave, combining hypnotic floor-tom driven rhythms, angular low-gain guitars and atonal textures with a deliberately unpolished analog production aesthetic.

Fatigué de ce monde (released date : 01.07.2026) marks the first fully French-language release from post-punk’er, moving deeper into the colder and more minimal territory of early 80s French coldwave and post-punk. Built around repetitive basslines, dry mechanical rhythms, angular guitars, tape-textured production, and detached nocturnal atmospheres, the album embraces the raw realism and emotional distance of underground cassette-era recordings rather than modern polished production.

Across tracks such as L’amour est une maladie, L’alchimie entre nous, Argument mineur, Déçus de nous, Rues désertes, Promenades nocturnes, and C’est comme ça que tu es, the record drifts through late-night urban spaces, empty cafés, métro corridors, anonymous apartments, and fragmented conversations, capturing themes of emotional distance, routine, disillusionment, and urban isolation through restraint and repetition.

Avoiding commercial structures and cinematic excess, the album remains intentionally minimal, monochrome, and psychologically tense, drawing inspiration from the darker and more experimental side of the French coldwave movement while preserving the analog imperfections and fragile humanity that defined the underground post-punk scene of the 1980s.

As a side project within the broader post-punk’er catalogue, Fatigué de ce monde explores a distinctly French identity, both lyrically and musically, serving as a dedicated homage to the cold, theatrical, and introspective atmosphere of French coldwave.

The album will be available exclusively through the official post-punk’er website and will not be distributed to streaming platforms or third-party stores, making it a standalone and limited release within the post-punk’er universe.

L’alchimie entre nous Maxi Single released 1 july 2026 L’alchimie entre nous is a collection of alternate versions and companion pieces drawn from the world of Fatigué de ce monde, the first French-language release from post-punk’er. Expanding on the cold, intimate atmosphere of the album, this maxi single explores different perspectives of the same emotional landscape through reworked arrangements, alternate mixes, and companion tracks.

Built around repetitive basslines, minimal mechanical rhythms, angular guitars, and raw analog textures, the release remains deeply rooted in the spirit of early French coldwave and underground post-punk. Each version shifts the balance between intimacy, distance, tension, and abstraction while preserving the monochrome atmosphere and cassette-era realism that define the project.

The maxi single includes:

Déçus de nous (Encore Mix) Fatigué de ce monde (Distant Mix) L’alchimie entre nous (Blume Mix) L’alchimie entre nous (Mendel Mix) L’alchimie entre nous (Original Version) L’alchimie entre nous (Hasard Mix) L’amour est une maladie (Malad Mix)

Moving between melancholic urban landscapes, emotional disconnection, fragile intimacy, and nocturnal reflection, L’alchimie entre nous serves as a companion release to Fatigué de ce monde, offering an alternative view into the same cold and introspective universe.

Available exclusively through post-punk’er.com, this limited maxi single is part of the French coldwave side project and will not be distributed through streaming platforms or third-party retailers.

Isolated Tracks II (released date : 01.05.2026) continues the same in-between space - where songs exist without a fixed place, shaped in moments that resist structure and expectation. If the first collection gathered what was left behind, this one moves closer to what lingers - quieter, heavier, and more persistent.

These tracks are not bound by a shared narrative. Each stands alone again: a pulse, a memory, a brief transmission before it dissolves. Yet together, they form a deeper drift through shadow and rhythm - post-punk movement tightened, darkwave textures more defined, the silence between sounds more deliberate.

Where the first volume was a pause, Isolated Tracks II feels like a return to that same space, but changed. The ghosts remain, but they move differently now - less distant, more present.

This is still not an album in the traditional sense. It is the continuation of a space between - a second gathering of what refused to fade, and what quietly came back.

Isolated Tracks II continues the space between albums , a collection of standalone songs shaped in quiet moments and driven by instinct. Each track exists on its own, yet together they deepen the atmosphere of post-punk rhythm and darkwave shadow. Not a conventional album, but a return to unfinished thoughts - a second gathering of fragments that refused to disappear.

ILLOGICAL SOUNDS - Album II

Illogical Sounds is our second post-punk album, released on 22 February 2026, with premiere on post-punker.com . It is not a record designed for immediacy or comfort. This album asks for patience, late hours, and attentive listening - it is meant to be entered slowly, felt instinctively, and understood only in fragments.

Across its sixteen core tracks and extended alternate mixes, Illogical Sounds unfolds as a fractured emotional landscape where coherence is not linear but emerges through repetition, atmosphere, and tension. Songs like “Illogical Sounds (Call Me from Beyond)”, “Obsessive Pain”, and “Cold Blood” establish the album’s cold, ritualistic core - restless basslines, atonal guitar movements, and rhythms that feel human yet unsettled. These are not songs that resolve; they circle, hesitate, and persist.

Themes of distance, obsession, memory, and erosion recur throughout the record. “A Game You Played”, “Delicate Touch”, and “Tear Us Apart” explore intimacy breaking down through silence and misalignment rather than drama. “A Ghost Returns”, in both its original and foggy mix, revisits absence as something that lingers rather than fades, while “Passing By” and “Diffuse Shadow” capture transience and emotional dislocation with understated restraint.

More abstract pieces like “Teraformatus”, “Abysmal Sound”, and “Giddy-Go-Round Carousel” push the album further into experimental territory, where structure dissolves and sound itself becomes narrative. “Viral Hate” confronts the modern condition directly — not with anger, but with a cold observation of how repetition and amplification strip meaning from expression. “The Famous Troubadour” stands as a distorted reflection on identity and performance, while “A Night Before” and its groovy mix close emotional loops without ever offering closure.

Throughout Illogical Sounds, fragmentation is intentional. Melody breaks, rhythm hesitates, and silence is treated as an instrument. Nothing here is accidental, every pause, rupture, and unresolved moment is placed with purpose. The extended and alternate versions at the end of the record do not serve as remixes in the traditional sense, but as parallel states, allowing certain emotions to linger longer or dissolve differently.

This is an album for listeners who find meaning in unease, beauty in imbalance, and depth in repetition. Illogical Sounds does not guide you by the hand - it leaves space for you to get lost, return, and listen again.

Release date: 22 February 2026

Illogical Sounds - Remixes

Illogical Sounds - Remixes revisits the core of the original record through movement, repetition, and reinterpretation. Built around some of the most resonant and widely received tracks from Illogical Sounds, this release does not aim to replace the original, but to shift its weight , from introspection toward rhythm, from stillness toward motion.

Where the first album lingered in fragmentation and emotional restraint, the remixes extend those same themes into a more kinetic space. Basslines are pushed forward, structures become more circular, and the tension between melody and atmosphere is rebalanced for a different kind of listening - one that belongs equally to solitary nights and dim, late-hour dance floors.

Tracks like Obsessive pain, A Ghost Returns, Abysmal sound, Passing By and so many other along with 2 new songs are reinterpreted through darker grooves, colder textures, and extended forms. These are not traditional remixes built for immediate release; they are alternate states of the same emotional material — stretched, looped, and allowed to evolve over time.

The sound remains rooted in post-punk and darkwave, but leans further into repetition, hypnotic rhythm, and subtle transformation. Guitars become more percussive, synths more spatial, and vocals more distant - sometimes reduced, sometimes fragmented, sometimes emerging only as an echo of what they once were.

Illogical Sounds - Remixes is not a departure, but a continuation , a parallel version of the same landscape, where meaning dissolves into motion and feeling is carried by the pulse rather than the word.

For those who found something in the original record, this release offers another way in - not clearer, not louder, but deeper.